Posts tagged hip hop.

First new routine after coming back from the Philippines!

**I told Xernan and David that I would do a video for them.. which I have not yet… and I owe ‘em, so.. be on the lookout.  I promise I’ll do it :)  Sorry, and I love you guys, but I need more time haha!**

Woke up at 8am, drove to Starbucks for my daily coffee, heard this song on the radio, came back home to choreograph, then taught this routine 4 hours later at Debbie’s.  I was pretty delirious and had been dancing for hours straight prior to teaching… but it felt good to be back in mah studio!

This video is from my 2nd round of teaching this routine… trying to get back into choreo-mode.  Check it.

Yesterday, I met up with the brotha Mike Song to record a piece with him.  yay for Debbie Reynold’s Dance Studio :)

Mike and I have known each other for a while now.  we went from being Kaba Modern Dance-A-Thon finalists in 2004, to dancing on Kaba Modern together, then Legacy, and now on to the professional world of dance.  For the longest time, he’s been one of the most positive and motivating friends in my life.  He’s been someone I’ve learned a lot from as well as someone I’ve grown with, being part of the same group and rehearsing so much together.  We have lots of crazy Kaba Modern/college memories and I’m really happy to know this guy.  

Thanks for everything, Mike! 

ps. Check him out in the very first piece I taught Kaba 5 years ago (far left) :D woohoo!!

Here’s my latest to a dubstep track.  I love how grimey this song is!

Thank you to the following dancers from Japan and Poland for coming to class and sharing your talent with me: Akane Miyoshi, Ami Saitoh, Kana Takahashi, Sonia Felbur, Misaki Kato, Ola Papior, Mami Osuka

It was my pleasure to have these women in my class this past week, and I can’t thank them enough for their time, energy, and for killin this routine in ways I couldn’t even imagine.  Thank you!

Professional video shot during the workshops I taught in Poland.  Check out my interview and dancing on the beach at 15:04.

Poland was such an amazing experience for so many reasons—being able to take classes from the other instructors, feeling the energy of the amazing dancers all gathered in one room, great treatment by everyone I met and my hosts.. there were so many great things about it.  I miss it and hope to go again!  Thank you FNF.

Other interviews by Joesar Alva, Lee Daniel, Erica Sobol, Tony Czar, Kevin Maher, Jun Quemado, George Jones, and Miguel Antonio.

Had the honor of working with Tony Czar.  woohoo!

Presenting Project Next Level — performing @ Federal tomorrow night.  If you’re in NoHo, be there :)

Skream - Make Me ›

New video of class.  Sorry for the external linkage, but I’ve decided to leave the video on Facebook til I can teach the whole thing.  Just wanted to share some of the nastiness I witnessed in class today—I’ve never EVER seen some of these girls before, but they just beasted this choreography and I got excited to post up what I recorded.  Enjoy :)

danced and shot a vid for mah korean sista Ellen Kim.  check it. 

Hip Hop vs. Urban Choreography

NOTE: wrote this in October 27, 2009 and surprisingly, it circulated throughout different dance communities in different countries—even ones in Europe and Asia.  WOW… totally wasn’t expecting that!  There are a couple new perspectives I’ve learned in the past couple of years—I’ve used the term “Urban Choreography” here, though there are definitely other names to term what I believe this “new style” is… AND I’ve also learned that popping and locking and house are not essentially “Hip Hop,” but they can fall under the umbrella of Funk styles, and have influences from disco or electronica.  Well.. I’m still learning and figuring this whole thing out.  Just thought I’d re-post my opinion for other reflective dancers to ponder upon :)



In class a LONG time ago, one of my first Hip Hop dance instructors told me…

“This isn’t Hip Hop.  It’s Urban Choreography.”

After a few years of experiencing the dance community, I’ve realized the need to re-evaluate my title as a Hip-Hop dancer.  As a beginner who was very NEW to street dance, I didn’t understand what he meant and continued to believe I was training as a “hip hop” dancer, when I really wasn’t.

Different languages of the world (chinese, spanish, english) are kinda like different dance styles (ballet, jazz, hip hop).  We’re able to distinguish between different kinds, because each language uses its own unique rules of grammar and sentence structure, just as each dance style uses its own steps and technique.  Over the years, languages and dance styles have changed.  We’ve used the term EVOLUTION to describe what we see now in Hip Hop versus what it was in the past.  On the other hand, I think what has emerged over time isn’t Hip Hop itself, but instead a different dance style that was INSPIRED by Hip Hop.  Urban Choreography–an entirely separate language, born and inspired by a collection of the earlier languages.  For example,  Tagalog (Filipino) was formed and influenced by the Spanish, Malaysian, English, Arabic, and Chinese languages.  Couldn’t we say that like Tagalog, our dance style was inspired by Hip Hop as well as other styles of dance, and has collected all of that to become it’s own language with it’s own unique structure?  We wouldn’t call Tagalog “Spanish-evolved” or “Chinese-evolved,” simply because the three languages follow entirely different rules.

Nowadays, people have a few different names to refer to the style of dance being taught in many Hip Hop classes:  LA style, West Coast style, commercial Hip-Hop, new-style Hip Hop, but to call it Hip Hop is to assume that it follows the basic fundamentals of Hip Hop dance–techniques in breaking, locking, popping, wacking, funk, groove, swagg etc.  I’m no Hip Hop head… I’ll admit it.  But when I SEE breaking, locking, popping, and all other styles of true Hip Hop dance, there is no denying that there is a totally different look to THAT kind of Hip Hop compared to what we call “new hip hop,” which varies greatly according to individual interpretation and also lacks greatly in strict rules and technique.  In true Hip Hop, there are basic names of steps and techniques that aren’t completely present in this new style… so though we may dance as freely and as creatively as we want to Hip Hop and R&B music, can we REALLY say that it is Hip Hop?.. or are we just over-generalizing things to spare ourselves the trouble of analyzing & truly understanding Hip Hop history?

With so many new dancers coming up in the next generation, I think it’s very important for all those capable to educate them wisely and accurately… and that we don’t discredit or undermine the value of Hip Hop’s history.

in God we trust
<33 APRIL joy
youtube.com/apreezee 

Been listening to a lot of different stuff lately.  Here’s something I decided to choreograph while I was practicing waving and isolating.  I couldn’t seem to get the song out of my head, so although it’s a lot different from what I’m used to doing, i thought “What the hell.”  I’ve gotta step outta my box sometimes… My execution is a little rough—not as clean and powerful as I’d like, but I think this is really only the beginning to what I wanna achieve as a dancer.

Ps. It was 104 degrees outside of the studio today.  Thank you to the class for your energy and for pushin it :)  Quick shoutouts to a few dancers I’ve recently learned from: Anthony Thomas, Chopper, and Bionic.  Thanks for the lessons.

Song: Get Up
Artist: Legend Da Beatslaya 

I don’t think I’ve ever seen my name this big on a shirt.  Crazy.

The Vibe shirt being sold in the Philippines.  What an honor.